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It seems so long since I’ve reviewed what I deem to be a 5 star film…maybe too long, so I decided to review one of my favorites in The Flight of the Phoenix (1965), a tense and wonderfully gripping, character driven film about a slight, yet diverse, group of men struggling to not only overcome the adversity of a harsh and deadly environment, but also having to approach to terms with each other, the strengths and flaws inherent within themselves, to complete a nearly impossible task, one that will choose their very survival.
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Based on a current current by Elleston Trevor, the film is incredibly well directed by Robert Aldrich (whom I’m a gargantuan fan of), who also did Hush… Hush, Sweet Charlotte (1965), The Dirty Dozen (1967), and The Longest Yard (1974), to name a few. The film boasts an impressive cast, including James Stewart, Richard Attenborough, and Peter `I’m as exasperated as hell, and I’m not going to recall it anymore!’ Finch. Also appearing are Ernest Borgnine, Hardy Krüger, George Kennedy, and Ian Bannen.
As the film begins, we study a puny group of men, some military men, but mostly crewmembers who work on an oil field located somewhere in the Sahara Desert, preparing to leave by plane, one piloted by Captain Frank Towns (Stewart), a world weary airman who’s found himself in the station of shuttling men and equipment between outposts in rickety contraptions that resemble airplanes, along with his navigator (who has a penchant for the booze), Lew Morgan (Attenborough) . The flight begins well enough, but soon a sandstorm disables the engines, and the plane is forced to demolish land in the desert, miles away from any type of civilization, including that precious commodity many of us lift for granted being water. After a few days, and hopes of a rescue dwindle away, a German engineer named Heinrich Dorfmann (Hardy Krüger), returning from visiting his brother at the oil field, proposes a completely amazing and equally strange opinion of building another plane from the wreckage of the first. The notion is not well received, especially by Captain Towns, due to its’ seeming absurdity, but soon it becomes sure that this one in a thousand chance is the only one they have, as the alternative is to do nothing and allow the desert to recall them slowly, as they suffer from heat and water deprivation. Now it’s a speed to complete the insurmountable task of constructing a workable aircraft before their itsy-bitsy water reserves urge dry, fighting not only the elements within the desert, the burning heat during the day, the freezing frosty at night, murderous nomadic tribes, and the ever indicate sand (don’t you detest it when sand gets in your clothes? I do…), but they must also face their possess weaknesses, those now magnified as the ever reveal threat of death looms so very end.
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While this film is listed as an action/adventure/drama, the main element that holds it together is the character driven aspects of the space featuring those played by Stewart, Attenborough, and Krüger. Stewart’s character seems locked in a tense battle of wills against Krüger’s, as the realistic captain, concerned with the welfare of his charges, feeling the weight of responsibility, fights for control against Dorfmann, the pragmatic, analytical, and logical engineer with Attenborough’s character squarely in the middle, trying beget the peace and retain hope, along with themselves, alive. The rest of the cast does am extremely blooming job in their supporting roles, and I especially enjoyed that of Ian Bannen, as the jovial pessimist, who could nearly always be counted on to provide a bit of harsh levity no matter the area. The one thing I really enjoyed within this film, and reminded me a cramped of the Humphrey Bogart film The Adore of the Sierra Madre (1946) in that as the myth progresses, we gaze the characters stripped of all the superficial aspects they hold, as their honest natures are revealed, for better of worse. Aldrich’s direction is impeccable, giving the upright amount of attention to all the various aspects of the narrative, and honest generally really putting the viewer within the tale, feeling not only the disparity of the site as the characters do, but the hope and faith the men manage to contain, qualities I possess to be brought forth from our contain instincts of survival and self preservation. One thing I noticed is that the film has no qualms about killing off various characters, regardless of the actor’s prestige. So often I’ve seen films populated with seemingly pointless characters, only to stare them predictably perish, but that’s not the case here. There are a number of deaths, and not all of them anticipated. Not only that, but also a few characters who normally would have been marked for death in other, more extinct stories, made it through to the raze. The film runs nearly 2 ½ hours, and some would believe that too long, but I really didn’t witness as the time was ragged well developing the characters and creating a sense of empathy for their quandary, and ultimately a noble peril for their well being and a desire to observe them succeed in their impossible task.
Presented here is a ravishing widescreen anamorphic represent, with the choice of either Dolby Digital 2.0 Stereo, Dolby Digital 1.0 audio tracks, both of which sound distinct and crisp. There’s miniature in the design of special features, as all that’s included are three versions of theatrical trailers for the film, one in English, another in Spanish, and a third in Portuguese. I’ve noticed there’s a remake scheduled for release later this year, starring Dennis Quaid, Giovanni Ribisi, Hugh Laurie, and someone named Sticky Fingaz (I’m serious…that’s his name…I later found out he was a member of the hip hop group Oynx, and has since appeared in quite a few films) . All I can say is they’ve got their work prick out for them…
Cookieman108
I’m obvious that many movie buffs will remember this beautiful, suspenseful thriller from the 60s. Jimmy Stewart is flying a cargo plane with an consuming assortment of male passengers across the Sahara desert, and he decides to battle through an oncoming sandstorm. The sandstorm wins! The plane crash-lands in an ocean of sand–not without casualty–and our heroes are stranded, with cramped supplies, under a brutal sun. The men ruin several precious days on the assumption that back is on the design. They eventually realise that survival will depend on their contain resilience and ingenuity.
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Of course, we have one of the finest American actors in the lead, but Mr. Stewart is ably supported by a blue-chip international cast, including Richard Attenborough, Peter Finch, Hardy Kruger, Ernest Borgnine and Ian Bannen. As the sun gets hotter and with no rescue party in glimpse, this dejected group displays all of the human qualities that arise in desperate situations–resentment, scare, arrogance, assignment of blame, madness, cowardice and courage.
Richard Attenborough is the sensible pronounce of reason and compromise, which makes the scene where he finally “loses it”, even more compelling. Peter Finch is the typical British “stiff upper lip ” officer–stubborn and brave– though I doubt that this role was mighty of a challenge to such a talented actor. Ernest Borgnine gets to chew up a tiny scenery as a guy who is attractive unhinged even before the plane crash–that blazing sun doesn’t do him any splendid at all! Well–it’s 1965 and you need someone to play a brainy, chilly, arrogant German–Hardy Kruger, near on down! The other actors are excellent–Ian Bannen, in particular, is effective as a guy who would secure under your skin even at the North Pole!
As another reviwer has well-known, the film is perhaps longer than it needs to be, although it does give the characters plenty of time to interact with one another, and explain the psychological aspects of the location. After a while, you–the viewer–will also launch to feel that oppressive heat and sand, and the tension of being trapped in this hell-on-earth. I can’t really comment on the feasibility of the thought that Hardy Kruger’s character comes up with to achieve everyone–I’m not an aeronautical engineer! It certainly gives the film an moving climax though.
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I found the DVD describe to be beautiful–the sound typical for an almost 40-year musty film.
“Phoenix” gave Jimmy Stewart another substantial role, later in his career, and with the supporting cast–and a liberal amount of suspense–this nice DVD could appeal to a variety of viewing tastes. Recommended.
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