Stream The True Meaning of Pictures: Shelby Lee Adams’ Appalachia
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This documentary is, at times, poignant, haunting, and eerily compelling. It is also, at times, graphic and disturbing. Photographer Shelby Lee Adams’ representation of rural Appalachian life the film contains both a critique, and a defense, of Adams’ methodology. Because Adams himself grew up in Appalachia, the viewers are afforded access to an improbable and often discouraged level of intimacy with the subjects. We learn the stories unhurried the pictures of the “holler dwellers”, the people who live in virtual isolation up to 20 miles down boring slay dirt roads in rural Kentucky hollows. Adams unflinchingly takes us all the intention to the demolish of the hollows where life becomes increasingly hardscrabble with every mile. The subjects’ stories were, for me, alternately depressing and uplifting. The subjects themselves hasten the gamut from pitiful to stoically dignified, and despite their individual circumstances, they are as plucky to order themselves to the viewer through the camera’s lens as Adams is to prove Appalachian life as he sees it. The documentary is difficult to search for at times. Ultimately, it is left up to the viewer to near his or her hold conclusion as to Adams’ motivations. A gripping and difficult to ogle peek at a like a flash vanishing American sub-culture.
This film does a beneficial job of presenting an honest examination of Adams’ photography. If you are odd with his images, accept some and expect them…some of them are almost haunting in the diagram they describe poverty in Appalachia. The quandary, as most Appalachian scholars in the film ogle it, is that his photographs are often staged (completely) and can be seen as portraying a slanted/biased thought of terrible Appalachians as stereotypical hillbillies. I offer no conclusions on this issue; Adams says this was not his intent and that he’s not responsible for his audience’s interpretation. I have a hard time reconciling some of the staged shots as anything but exploitative, but I’d have to become more familiar with Adams’ work to diagram a solid conclusion. In any case, this film would be an good introduction to the opinion of stereotypes in the site in a basic Appalachian Studies course. It offers several topics that could lead to course-long discussions that could wait on as a foundation for an entire course.
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